“Yes,” she answered, “’E’s got on. I always think of that little poem, ‘Lord Burleigh,’” she continued; “whenever I get worrying about myself. Ever read it?” “I must talk to Mary,” he added, “see if we can’t get you off on some promising young Under Secretary.”!

Joan remembered Folk, the artist she had met at Flossie’s party, who had promised to walk with her on the terrace at St. Germain, and tell her more about her mother. She looked up his address on her return home, and wrote to him, giving him the name of the hotel in the Rue de Grenelle where Mrs. Denton had arranged that she should stay. She found a note from him awaiting her when she arrived there. He thought she would like to be quiet after her journey. He would call round in the morning. He had presumed on the privilege of age to send her some lilies. They had been her mother’s favourite flower. “Monsieur Folk, the great artist,” had brought them himself, and placed them in her dressing-room, so Madame informed her. “Don’t tease her,” said Madge. “She’s having an evening off.”

Why had he never “brought her up,” never exacted obedience from her, never even tried to influence her? It could not have been mere weakness. She stole a sidelong glance at the tired, lined face with its steel-blue eyes. She had never seen them other than calm, but they must have been able to flash. Why had he always been so just and kind and patient with her? Why had he never scolded her and bullied her and teased her? Why had he let her go away, leaving him lonely in his empty, voiceless house? Why had he never made any claim upon her? The idea came to her as an inspiration. At least, it would ease her conscience. “Why don’t you let Arthur live here,” she said, “instead of going back to his lodgings? It would be company for you.” “Or keeping out of it altogether,” added Joan. “What’s your line?” he asked her. “I take it you have one by your being here. Besides, I am sure you have. I am an old fighter. I can tell the young soldier. What’s your regiment?”